What lies beneath …?

Photo by Paolo Bondielli Min Project – Luxor Times

Published in the Luxor Times on 1 January, the first discovery in Egypt of 2015.  Found in Qurna, on the Nile close to Luxor, this is an Osirieon, a kind of God’s tomb, dedicated to Osiris.  It just goes to show how much still lies buried beneath the sands of Egypt, awaiting discovery.

As a fiction writer of an adventure/mystery series set in present-day Egypt, these continued discoveries are beyond thrilling.  My characters have been lucky enough to make a few discoveries of their own.  Some might say their ‘finds’ are far-fetched, and they’d probably be right.  My characters are not archaeologists or excavators.  Meredith (Merry) Pink starts her adventures in Egypt as a simple holidaymaker.  She counts herself fortunate when she meets a would-be Egyptologist who then introduces her to a professor who is the real thing, and can help her out with what she’s found.

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Carter’s Conundrums is Merry’s first adventure.  It’s the story of an accidental discovery that sheds new light on Howard Carter’s discovery of Tutankhamun’s tomb.  And it poses a few questions about what else he might have found that the world wasn’t told about at the time…      Writing it, I gave myself the imaginary holiday of a lifetime!  I hope it does the same for my readers.

There are a further five books so far in the series.  In each one Merry plays a part in unlocking a secret from Egypt’s ancient past.  The series is a joy to write and all the time new discoveries are coming to light, I know there will be plenty more ancient Egyptian mysteries for Merry to explore.

All six books in the series following Meredith Pink’s Adventures in Egypt are available to download or in paperback on Amazon.

Fiona Deal

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Exodus: Gods and Kings

BookCoverPreview.doMy latest novel in the series following Meredith Pink’s Adventures in Egypt is called Seti’s Secret.  It is an adventure story set in modern-day Egypt but, as with the previous five novels in the series, it sets out to explore an ancient mystery.  For this book, I have chosen the Exodus story, proposing the historical identities of the Pharaoh as well as of Moses himself.

Publication of my book has coincided with Ridley Scott’s release of his Biblical film epic Exodus: Gods and Kings.  I went to see the film yesterday, interested to compare my take on ‘The Greatest Story Ever Told’ with Scott’s.

Since its release on Boxing Day, the movie has been banned in Egypt, Morocco and the UAE.  Egypt cites historical inaccuracies in the film, including depictions of the Jews building the pyramids and an earthquake causing the parting of the Red Sea.  Morocco has halted screenings because the film contains a “representation of God”, which is forbidden under Islamic Law.  The UAE has supported its decision saying the film contains religious inaccuracies about Islam as well as other religions, although it has not specified these inaccuracies.

I guess the movie-going public is arguably less concerned about historical and religious accuracy than it is about enjoyment.  I won’t comment on whether or not the film is enjoyable – that is for each person who sees it to decide.  I certainly found it epic, with sweeping vistas and grand stage sets – the plagues were particularly well depicted.  But as a writer, accuracy is something I have to be concerned with, and there are a few points I’d like to explore.

The opening title sequence tells us it is 1300 BCE (Before ‘Christian’ or ‘Common’ Era).  This places us in the latter years of the reign of Pharaoh Seti I, who appears briefly in the early scenes of the film as the elderly king about to pass on his throne. To be fair to Ridley Scott, I’m not sure he represented the Hebrew slaves as building THE pyramids.  True, the film shows workers constructing pyramids (in the sweeping panoramic shots of ancient Memphis) but I expect this is just for dramatic effect.  The Giza pyramids were built some 1000 years earlier during the Old Kingdom, presumably long before the Israelite sojourn in Egypt as described in the Bible; and before the 400 years Scott’s opening titles claim the Hebrews have been enslaved.  I guess it depends whether you’re prepared to accept that pyramids continued to be built in Egypt, even into the New Kingdom.

A more interesting historical inaccuracy for me was the scene showing Seti I’s funeral taking place at the Temple of Abu Simbel – another piece of grand cinematography – but factually impossible, since Abu Simbel wasn’t built at the time, and Seti I was interred in the Valley of the Kings.

If the film showed an earthquake parting the Red Sea, I missed it.  I saw Moses go to sleep asking for divine intervention, then wake to find the waters had miraculously drained away to allow the Hebrews to cross.  The special effects showing the seawater crashing back in again are among the most impressive in the film – although it is perhaps stretching credulity to the limit for both Moses and Ramses to survive the deluge, on their opposite banks of the Sea, given the on-screen violence of the Tsunami-like wave that engulfs the Egyptian army and both lead characters with it.

The Bible is oblique about whether or not the Pharaoh survives being cast into the sea.  The Torah is more specific in suggesting the Pharaoh drowns.

Which brings me to what I consider the crux of the historical matter.   Was Ramses II (Ramses the Great) the Pharaoh of the Exodus?  Ridley Scott apparently believes so, as did Cecil B DeMille before him, in his film The Ten Commandments.  Yet is there any historical evidence for his candidacy?

Ramses II ruled Egypt for upwards of sixty years.  His mummy is on display in the Egyptian Museum in Cairo and is of a man in his nineties when he died.  So if he pursued the fleeing Israelites into the Red Sea he certainly survived it.

Interestingly, the Bible never names a Pharaoh.  So we are forced to look for other evidence in the Old Testament as well as in the historical and archaeological record to identify which Pharaoh is described.

The primary argument in support of Ramses II in the Exodus story seems to be that the Bible states the Pharaoh subjected the Hebrews to harsh labour building his store cities of Pithom (the location used in Scott’s film) and Ram’ses.  Ramses II certainly built a new capital city Pi-Ramses (or Piramesse).  Its remains have been discovered under the modern town of Qantir in the Eastern Delta, close to a branch of the Nile that silted up approximately 1,000 BCE.  Because Ramses built a city and named it for himself, hey presto he is the Pharaoh of the Biblical Exodus story.  That’s it.  That’s the evidence.

What is perhaps not so well known in popular culture is that Pi-Ramses was apparently built on top of the remains of an earlier city.  Historians have identified this as the Hyksos capital of Avaris and perhaps also the border city of Zarw, identified by some as Biblical Goshen, where the Hebrew tribes are said to have settled after their descent into Egypt.

If true, this enables us to construct a rather different scenario.  The historical record tells us that the grandfather of Ramses II, who ruled as Ramses I, was the Overseer of the Fortress of Zarw while still a commander in the previous Pharaoh’s army.  As he shares the name of his more famous grandson, I think it equally possible that he was the one who oversaw the daily lives of the Hebrews living in the place his grandson later decided on as the location for his new city.

The Bible also suggests the Pharaoh of the Exodus was not the same individual as the Pharaoh of the Oppression.  Exodus 3:6 describes Moses’ reluctance to return the Egypt to free the enslaved Hebrews after God speaks to him from the burning bush.  God reassures Moses that his life will not be in danger if he returns to Egypt as “all those who wished to kill you are dead”.  The earlier section (Exodus 1:8) tells us “Now there arose up a new king over Egypt”.  These passages suggest that during the years Moses spends in the wilderness, the previous pharaoh has died to be replaced by a new one. This would exclude Ramses II as being the Pharaoh to banish Moses and also the one on whom Moses unleashes the ten plagues.

There is more evidence, of course.  But, for now, I’ll end by saying if you’re interested in how the historical and archaeological evidence can be used to construct an alternative set of characters for the Exodus story, you may wish to read Seti’s Secret. (This is book 6 in a series, so I’d suggest you start with the first book Carter’s Conundrums).  The books are available on all Amazon sites.

As for the religious inaccuracies cited by the nations who have banned Ridley Scott’s film, I’ve decided they are the subject of a whole new article, which I will publish in the next couple of days.

Fiona Deal

Author of Meredith Pink’s Adventures in Egypt

Tutankhamun: The Truth Uncovered

Last night I watched the hour long BBC1 documentary called ‘Tutankhamun : The Truth Uncovered’.

It set out to present clues as to why the most famous Egyptian Pharaoh of them all died so young.  The theory of murder due to a blow to the head was debunked.  Actually, it was debunked years ago … the bone fragments shown by X-ray to be floating in the back of the boy king’s skull were proved to have been displaced post mortem and also after the embalming process.

The programme showed us a ‘virtual autopsy’ using more that 2,000 CT scans of Tutankhamun’s mummified body.  This remarkable technology has enabled scientists to reveal the first ever full-sized, scientifically accurate computer generated image of the young king.  Sadly, it is a far cry from the hauntingly beautiful and perfect image we are more used to from the glorious death mask and much of the other artwork and statuary surviving of Tut from antiquity.

It reveals the club foot, which explains once and for all why so many walking canes – over 120 of them – were found by Howard Carter when he entered Tutankhamun’s tomb. I can’t help but wonder if seeing ‘the truth uncovered’ might actually be a little less than Tutankhamun deserves.  We come face to face with a teenager who might now unkindly, but no doubt accurately, be referred to as a cripple.  I’m sure he’d have preferred the images of himself riding his chariot, full of youthful vigour to be the ones to survive him down the centuries.

And with mention of the chariot (there were six of them found dis-assembled in Tutankhamun’s tomb) we come to the next popular theory explaining his early death. The CT scan reveals the fracture above his knee, which experts believe to have killed him.  A long-held theory is that the fracture was caused by a fall from his chariot whilst out hunting, or perhaps even in battle. (Or maybe he was pushed?).  But last night’s documentary suggests it would have been almost impossible for the young king to ride at any speed in a one-man chariot.  Or indeed ride a chariot at all.  The club foot and bone wasting disease shown also to be affecting his left foot would, we are told, have made it excruciatingly painful to ride.

And so, another explanation has to be found.  It is not slow in coming.  Epilepsy.

This condition, we are told, may also account for the ‘visions’ experienced by Tutankhamun’s predecessors.  His great-grandfather, Thutmosis IV, recorded in the famous ‘dream stele’ (still situated between the paws of the Sphinx) the vision in which the Sphinx spoke to him and told him if Thutmosis cleared the sand from around the Sphinx’s body, he would be crowned king.  And, Akhenaten, the controversial pharaoh who preceded Tutankhamun was apparently given to religious visions, which led him to elevate the sun disc, the Aten, as the sole god from the Egyptian Pantheon.  They also led him to build a new city, modern Amarna, on virgin soil in middle Egypt.

And now, with the mention of Akhenaten, we come to the part where I take issue with last night’s documentary.  DNA testing has enabled scientists and Egyptologists to build Tutankhamun’s family tree.  This has established that the body found in tomb KV55 is Tut’s father, and the ‘younger lady’ found in the cache hidden inside Amenhotep II’s tomb is Tut’s mother.  More astonishing, Tutankhamun is shown to be the product of an incestuous full-brother-and-sister relationship.

This much, I believe, is irrefutable.  It seems to me tragic that in their attempts to keep the royal bloodline pure, the pharaohs of the late 18th dynasty actually inbred its genetic downfall.

BUT, the documentary makes one big and, to my way of looking at it, unsupportable assumption … That the KV55 mummy is Akhenaten.  Ergo Akhenaten is Tutankhamun’s father.  This is presented as FACT, with no questions asked.

This does the viewing public a huge disservice.  While Akhenaten is unquestionably one candidate as the KV55 mummy, he is not the only one.  Many scholars believe the skeleton to be that of Akhenaten’s younger brother, an ephemeral character on the pharaonic stage.  His name was Smenkhkare.  Nobody has ever been able to prove the identity of the KV55 mummy for sure.  So, for the BBC to overlook this and present Akhenaten as the sole candidate seems to me to be misleading and negligent.

We know Akhenaten was famously married to Nefertiti.  They very publicly had six daughters.  Images of the whole family are plastered all over Amarna.  Nobody has yet gone so far as to suggest the ‘younger lady’ is Nefertiti, or that she was Akhenaten’s full sister.  So, we must suppose that Akhenaten had an incestuous relationship with one of his full sisters, who bore Tutankhamun.  Under the royal protocol of the time, she would have had to be one of his wives, possibly even his Great Royal Wife.  For this to have completely escaped the historical record seems to me extremely unlikely.

Yet, if his younger brother Smenkhkare were to have had an incestuous marriage with one of their sisters, with Tutankhamun as the result, it seems perfectly possible for no record of it to have survived.

I personally believe Smenkhkare is the KV55 mummy.  Other scholars agree.  One other piece of evidence supports this theory.  On last night’s documentary, Tutankhamun was repeatedly described as Akhenaten’s successor.  He wasn’t. At least, not at first.  The historical record shows quite clearly that Smenkhkare came to the throne on Akhenaten’s death.  Incidentally, Smenkhkare married Akhenaten & Nefertiti’s eldest daughter, his niece Meritaten, presumably to strengthen his right to rule.  She became his Great Royal Wife.  Whether his previous sister-wife was still alive at the time is a matter for conjecture.

It is not clear how long Smenkhkare ruled.  Some experts say a few months, others up to three years.  But rule he did.

To me, this is more evidence that Tutankhamun was not Akhenaten’s son.  There are plenty of other examples of minors coming to the throne, so his age would not have presented a reason for him to be passed over in favour of his ‘uncle’ Smenkhkare if indeed Akhenaten was his father.  I think in the absence of a male heir who was his son, the throne passed to Akhenaten’s brother and only then on Smenkhare’s death to his son, Tutankhamun.

Frustratingly, none of this can be proved once and for all.  We need more discoveries to be made in the historical record, or for modern science to take yet another leap forward.

I’m left with the impression of a documentary wanting to re-work old ‘truths’ to find a new angle.  I’d have been perfectly happy with this, if only certain assumptions were not presented as fact.

Luckily for me, there is one field in which it’s more acceptable to work within what’s known, and make up the rest.  I am a fiction writer.  The mysteries of ancient Egypt are my chosen subject.  So last night’s documentary was of particular interest.  I’m pleased to say, it didn’t present anything to make me go back and rewrite any of the content of my books.  The second book in my series following Meredith Pink’s Adventures in Egypt is Tutankhamun’s Triumph.  If you’re interested in reading more about Tut’s family tree, you may wish to give it a go.

Fiona Deal

Author of Carter’s Conundrums, Tutankhamun’s Triumph, Hatshepsut’s Hideaway, Farouk’s Fancies and Akhenaten’s Alibi. Available on Amazon.com, Amazon.co.uk, and all other Amazon sites.

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Book 2 of Meredith Pink's adventures in Egypt

Book 2 of Meredith Pink’s adventures in Egypt

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Sailing the Nile on a Victorian Dahabeeyah

One of the things I enjoy about writing a fiction series is deciding how to keep my characters moving forward across several books.  For the first three books in my series following Meredith Pink’s adventures in Egypt, starting with Carter’s Conundrums, my main character was on a tourist holiday, staying at the Jolie Ville hotel, situated on its own island in the Nile in Luxor.

IMG_4738As the series developed, I needed to find a way for the central British characters to remain in Egypt.  They needed to progress from tourist visas to working visas, and find somewhere permanent to live.  And so the idea of having them own and run a restored Victorian dahabeeyah was born.  In Farouk’s Fancies they are setting up in business offering luxury Nile cruises to discerning travellers.

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From the 1850s through into late Victorian times, the dahabeeyah was the standard way to travel up and down the Nile.  ‘Dahabeeyah’ means ‘golden boat’ in Arabic.  The prototype for the Victorian version can be found on tomb and temple walls in Egypt and has changed little in design since pharaonic times when the royals and nobles painted their boats gold.  Amenhotep III had a Nile sail barge called ‘Aten Gleams’.

images-5The dahabeeyah started to lose popularity when Thomas Cook, a pioneer in travel, who single-handedly invented modern tourism in Egypt, introduced the Nile steam boat.  The steam boats significantly reduced the journey time along the Nile.  Where the dahabeeyah took a traveller on a grand voyage of discovery, the steam boats introduced the idea of a shorter sight-seeing trip.  These were popular with late nineteenth century travellers.

As tourism became available to the masses during the twentieth century, the Nile cruise boats adapted to the increased demand, becoming the large floating hotels we are used to today.

images-6But in recent years there has been a resurgence in those seeking out a more traditional way to journey along the Nile.  There are those drawn to Egypt by the lure of nostalgia for the pioneering days of archaeology, as well as the antiquity to be found along the Nile.  A number of restored dahabeeyahs became available for hire during the early years of this century. It’s into this niche market that my characters have stepped.

Sadly the political situation in Egypt and elsewhere in the Middle East has put tourists off the Nile as a holiday destination.  So my characters must struggle to see if they can get their new business venture afloat.  Otherwise I may have to dream up another way of keeping them in Egypt so they can continue their adventures.

Fiona Deal

Author of Carter’s Conundrums, Tutankhamun’s Triumph, Hatshepsut’s Hideaway, Farouk’s Fancies and Akhenaten’s Alibi.  Available on Amazon.com, Amazon.co.uk, and all other Amazon sites.

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Howard Carter’s Legacy Lives on…

carterHoward Carter died seventy-five years ago on 2 March 1939.  His death went largely unremarked.  This is fairly extraordinary considering Carter was the man responsible for making arguably the most important archaeological discovery ever … the tomb of the boy king Tutankhamun, dating from the 14th century BC.

UnknownIt seems astonishing to me that such a spectacular find should earn no accolade at all for its discoverer.  Howard Carter lies buried in an unremarkable grave in a Putney Vale cemetery in London.  Only the words on his grave stone give any clue to the love of Egypt, Egyptology and his world-famous discovery…

Howard Carter,

Egyptologist,

Discoverer of the tomb of Tutankhamun 1922

“May your spirit live, may you spend millions of years, you who love Thebes, sitting with your face to the north wind, your eyes beholding happiness.”

It’s hardly the most lavish epitaph!

So, why the lack of recognition?  All Carter earned during his lifetime was an honorary doctorate from an American university.  In his own country; nothing.

Carter had a reputation as an irascible man, pig-headed, stubborn and intractable.  He rubbed shoulders with the aristocracy (notably his patron and sponsor the Earl of Carnarvon) yet wasn’t one of them.  Perhaps an incident early in his career in Egypt cast a long shadow. It became known as the Saqqara Affair.  Carter committed career suicide, refusing to apologise to the authorities over an incident where he forcibly ejected a group of rowdy and drunk young Frenchmen from the site of the famous stepped pyramid.  Carter resigned over the incident, halting a hitherto promising career, and entered what have become known as his ‘wilderness years’.  He scratched a living as an artist and antiquities dealer before being recommended as an excavator to Carnarvon.

The rest, as they say, is history.  But Carter’s temper continued to be his Achilles heel.  After Carnarvon’s untimely death just 5 months after the discovery of Tutankhamun’s tomb, Carter once again exploded. This time it was over the refusal of the Egyptian Authorities to allow the wives of the excavation team a private viewing of the tomb.  Carter downed tools and took himself off on a lecture tour of America.

But perhaps more damning were the rumours that started to circulate while he was away that Carter was misappropriating items from the tomb.  A lotus flower head of the boy king was found inside a Fortnum & Mason wine case.  Carter said he’d stored it there for safekeeping until it could be properly conserved.  His explanation was accepted without question, but I wonder if the powers that be were really convinced …?

Whatever, the recognition he might have expected as arguably the most famous excavator of all time never materialised.

Carter returned to England in 1935, having taken 10 years to clear the tomb.  He continued to deal in antiquities for many of the major museums of the world – perhaps considered a dodgy profession…?  He died, aged 65, of lymphoma.

But perhaps the action that meant he could never earn the recognition he deserved was his alleged unauthorised break-in to the tomb the night before its official opening in November 1922.  It’s never been proven, but it’s now achieved the status of something of an open secret.  Carter and Carnarvon, together with Carnarvon’s daughter and their friend Pecky Callender, are said to have broken into both the outer chamber and the burial chamber of the tomb.

I think, if true, it’s hard to blame them.  Which of us can honestly say we could have resisted the temptation after such a long search?

Whatever, rumours of wrong-doing seem to have dogged Carter’s footsteps – and his memory.

Book 1 of Meredith Pink's Adventures in Egypt

Book 1 of Meredith Pink’s Adventures in Egypt

These provide fertile soil for a writer of fiction, such as myself.  In the first book in my series following Meredith Pink’s Adventures in Egypt, my heroine finds herself caught up in a mystery that draws heavily on the conduct and character of Howard Carter.

So, despite the lack of any public recognition, I’d like to remember the seventy-fifth anniversary of his death, and thank Howard Carter for his legacy.  It was gawping at the Tutankhamun treasures in the Cairo museum as a teenager that sparked my enduring fascination for ancient Egypt … and perhaps that’s when my desire to write was first born.  So, thank you, Mr Carter … your legacy lives on …

Fiona Deal

Author of Carter’s Conundrums, Tutankhamun’s Triumph, Hatshepsut’s Hideaway and Farouk’s Fancies

So who was King Farouk?

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My latest book following Meredith Pink’s Adventures in Egypt is called Farouk’s Fancies.  On a recent trip to Luxor I visited the wonderful old colonial hotel, The Winter Palace.

This was once a winter retreat for Egypt’s last reigning monarch, King Farouk.  He was last in line of the Turkish Mohammed Ali Dynasty that had ruled Egypt for ten generations.  It sparked my interest in finding out a bit more about the king who was exiled to Europe after an uprising by the people that toppled him from power (sound familiar?)

And what a fascinating and larger(literally) than life character he was!

English: Photograph of Farouk I (1920-1965), K...

English: Photograph of Farouk I (1920-1965), King of Egypt (1936-1952). (Photo credit: Wikipedia)

He came to the throne as a teenager; young, handsome and blue-eyed.  But the honeymoon period wasn’t to last. Known early in his reign for his excessive partying and gambling, Farouk was once described as “a stomach with a head”. He grew to over 20 stone. It’s rumoured he drank 30 bottles of fizzy drink every day and had caviar for breakfast; apparently eating it straight from the can.

King Farouk of Egypt (1948)

King Farouk of Egypt (1948) (Photo credit: Wikipedia)

It was said if there were seven deadly sins, Farouk would find an eighth.  He was a glutton , womaniser, gambler and, perhaps bizarrely for someone with infinite wealth, a kleptomaniac.  He famously stole a pocket watch from Winston Churchill.  He later claimed to have simply found it lying around, but neglected to mention that he’d “found” it in Churchill’s pocket.  He also stole a ceremonial sword from the coffin of the Shah of Persia, while it was in Cairo.  It put a strain on relations between Egypt and Persia for years.

There’s another story that after having nightmares about lions attacking him, Farouk decided to take a trip to the Cairo Zoo.  Once there, he shot the lions in their cages. Hardly a normal reaction to suffering a bad dream!

Finally, when Hitler’s army was preparing to invade Egypt, Farouk sent Hitler a telegram apparently welcoming the offensive. He resented the British forces occupying his country.  I can only assume he must have thought the Nazis were somehow preferable.

Farouk frittered away his popularity. In 1952, he was overthrown in a move supported by both the British and American governments and soon afterwards the hugely popular President Nasser took up the reigns of leadership in Egypt.  Farouk was sent into exile in Europe.  When his palaces were raided, he was found to have huge collections of treasures including rare coins, stamps, and a massive collection of pornography.

While my book is set in the present day, so Farouk does not appear as a character, the mythology that’s sprung up about his personality and excessive lifestyle provided a great backdrop for my story.

Tourists return to Egypt

The British Foreign Office relaxed its restrictions on travel to Egypt last month. This is good news for all those whose livelihoods depend on the tourist industry, and a positive note on which to end this year which has seen so much political drama in Egypt.

I do hope the tourists will venture back to Egypt quickly.  Speaking as one who visited Luxor a couple of weeks after similar restrictions were lifted in 2011 when the Mubarak regime was toppled, I can only say it was a delight to visit when the tourist sites were uncrowded.  The Egyptian people were warm and welcoming (yes, there was some hassle, but it was good-natured and perfectly understandable in the circumstances.)

BookCoverPreview-2.doAs Egypt ends the year on a more positive note, so do I with the publication of the fourth book in my series following Meredith Pink’s Adventures in Egypt.  This story is set in the spring of 2013, before the events of the summer, which saw the ousting of President Mohammed Morsi from office.  Merry’s latest adventure, Farouk’s Fancies, draws on the events which saw the monarchy topped in Egypt and King Farouk sent into exile.  It was interesting to observe the political situation unfolding in Cairo this summer while writing about broadly similar themes which saw Farouk removed as king.  The story also involves the Dead Sea Scrolls and the theories put forward by some historians claiming key figures in the Bible were in fact ancient Egyptian pharaohs.

I look forward to a return to Egypt and to continuing the adventures of Merry and Adam.  I’m starting to think about how they’ve experienced the latter half of 2013 in Egypt and where their adventures will take them next.

History repeats itself in Egypt

So, Morsi has been ousted and scenes of the celebrations in Cairo’s Tahrir Square have been flashed around the globe.

Photo Credit: Amr Nabil pic.twitter.com/Utceetv5zI

Photo Credit: Amr Nabil pic.twitter.com/Utceetv5zI

As an outsider to Egypt I find it hard to take a definitive view of the happenings in Egypt this week.  The closest thing I can compare it to is trying to look inside someone else’s marriage.  Only the people on the inside really know the truth.  It’s easy to take a ‘superior’Western view and claim the Egyptian’s first foray into democracy has been a disaster.  But I’d hesitate to take the moral high ground when one looks at the history of bloodshed in the West through which, arguably, our own democracy has been won. Although perhaps our willingness to stand by our own  decisions is telling.  As a friend of mine said, ‘when we choose the wrong government – and when did we ever choose the right one – we live with it.’  That’s democracy.  I guess the scenes of mass celebration tell their own story, with some Egyptians claiming they have now completed the revolution they started in 2011.  The governments in the West state they cannot support the military intervention in Egypt that has removed a legitimately elected president.  A cynic might say of course not.  For how precarious might that make their own position?  And the media reporters comment sagely about the precedent set as ‘the people’ make it clear that if they have the power to remove one elected president, they can surely do so again.  But was Morsi the architect of his own downfall?  At the risk of writing a political blog and as an outsider, I think my view would be yes.  I certainly heard no words of conciliation or compromise in the speech he gave earlier in the week.  The rot seemed to set in when he granted himself what one reporter called ‘Pharaonic’ powers in November last year – although under extreme pressure he rescinded most of them. And it’s clear he was presiding over a sinking economy.  As a regular tourist to Egypt, I was dismayed on my last visit in April, to experience the almost-daily power cuts and to see the queues for cooking gas.  And Morsi seemed intent on killing the already afflicted tourist industry stone dead.  His decision a couple of weeks ago to appoint as Governor of Luxor a man implicated in the terrorist atrocity at Hatshepsut’s Temple in Luxor in 1997 seemed calculated to ensure tourists wouldn’t venture back to Egypt but surely succeeded only in hastening his own departure from office.  The people rejected him for promoting an Islamist agenda.  And so he now languishes under house arrest and  the military run the show once again.

Some might say there is nothing new under the Egyptian sun and history has an interesting habit of repeating itself.  It’s possible one of the first military coups in Egypt was led by General Horemheb at the end of the once-glorious 18th Dynasty, famous for such names as Hatshepsut, Thutmosis III and Tutankhamun.  More recently, in 1952, the Association of Free Officers that ultimately saw President Nasser come to power, led the movement to topple the monarchy and remove King Farouk from his throne.  Nasser is now feted as one of the towering political figures of modern Middle Eastern history and politics in the twentieth century.  Interestingly, he distrusted the Moslem Brotherhood, and did much to clip their wings. Let’s hope there’s someone waiting in the wings in Egypt now who can lead the country on to better days.

So, moving from these political musings to some more personal musings. Where does all this leave me as the writer of a series of adventure/mystery stories set in present-day Egypt?  My first three published novels are set in the period May – December 2012, when things were relatively calm; although the post-revolutionary landscape provided a useful backdrop to the stories.  Each of these adventures has a link to ancient Egypt’s 18th Dynasty.  My current novel, to be published next month, uses the more modern history around King Farouk’s removal and subsequent exile as its basis.  I’m wondering, with the British Foreign Office’s rulings  against all but essential travel to Egypt whether I may be forced to bring Merry and Adam home.  Perhaps these are the risks a novelist must take in deciding to set her series in such turbulent times. The trouble with not writing purely historical books is not knowing the ultimate outcome. All I can do is hope and pray that Egypt can return to a more stable footing and happier times.

Book 1 of Meredith Pink's Adventures in Egypt

Book 1 of Meredith Pink’s Adventures in Egypt

Fiona Deal -Author of four books following Meredith Pink’s Adventures in Egypt

Book 2 of Meredith Pink's adventures in Egypt

Book 2 of Meredith Pink’s adventures in Egypt

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Places to stay in Egypt – great book locations

Jolie Ville Kings Island

Jolie Ville Kings Island (Photo credit: iifu)

I have now completed three novels set in Egypt and am approximately two-thirds of the way through the fourth.  My central character, Merry, is a tourist to Egypt and starts her series of madcap adventures in Carter’s Conundrums while staying at the Jolie Ville hotel, which is situated on Kings Island, just outside Luxor.  I’ve been lucky enough to stay at the delightful Joilie Ville twice, in 2009 and 2011.  The sunsets looking across the Nile are the most spectacular I’ve seen anywhere in the world.IMG_2749

IMG_4496Merry also gets the chance to stay in two of Egypt’s finest old hotels – both world class – both dating from Victorian times.  The first is the Mena House, once a Khedive hunting lodge built at Giza, a stone’s throw from the foot of the pyramid plateau.  Here’s a snap of me taken in 2008 in the Mena House garden, with the pyramids in the background.  It was a hazy day, but you get the general idea of how close they are.

IMG_4557The second of these grand Victorian hostelries is the impressive Winter Palace in Luxor.  This is where Lord Carnarvon stayed during the heady days of the discovery of Tutankhamun’s tomb by his excavator, Howard Carter.  I don’t imagine it’s changed much since then.  It makes a wonderful setting for a novel.  I’m also setting chunks of my latest novel, Farouk’s Fancies there – to be published this summer.  It’s no coincidence that King Farouk, the last sovereign of Egypt – who was deposed in the 1950’s an exiled to Europe – once used The Winter Palace as his home in Luxor.

IMG_1094While Carter’s Conundrums and Tutankhamun’s Triumph are both set at the Jolie Ville hotel, the third book, Hatshepsut’s Hideaway, takes Merry on a Nile cruise from Luxor to Aswan and back for her latest adventure.  I chose as my setting the wonderful steamship SS Misr, which dates from 1918 and was lovingly restored by Jules Verne.  SS Misr was also once owned by King Farouk, who hosted lavish parties on board.  I took a Nile cruise on the Misr in 2008 -a superb trip.

IIMG_0775f you’re travelling to Egypt – and I heartily recommend it despite the political situation – you’re spoilt for choice for wonderful places to stay.  My personal favourite has to be The Jolie Ville.  How can you beat a hotel that comes complete with its own star attraction – Ramses the camel offering rides to all and sundry?  Nothing comes close to the experience of sipping a cocktail while watching the fiery sun slowly slipping beyond the Theban Hills on the West Bank of the Nile.  Enjoy!

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